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Swords, Sorcery, And Then Some!

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Randomly Reviewed: Baron Weirwulf’s Haunted Library #38

by ScottHicken on August 28, 2013 at 9:20 am
Posted In: Announcements

Baron Weirwulf’s Haunted Library #38

Script by Nicola Cuti (Last Of Its Kind)
Art by Joe Staton (Last of Its Kind)
Published by Charlton Comics Group
Dated: 1978

The cover to my copy of Baron Weirwulf's Haunted Library #38. Copyright 1978 Charlton Publications, Inc.

The cover to my copy of Baron Weirwulf’s Haunted Library #38. Copyright 1978 Charlton Publications, Inc.

I’ve never been a big anthology fan, especially not of the horror genre. Scary stories are great and all, but often times I find that the need to tell the tale in a truncated manner causes certain things to be overlooked. As a person who likes to get into a story’s universe, understand how it ticks and really feel the impact of a story’s course of events, logical fallacies and shortsightedness can ruin my experience.

Sadly, but not surprisingly, the tales to be told in Baron Weirwulf’s Haunted Library #38 value in-the-moment shock much more than they value anything making sense before or after the story. And, in some cases, these lapses in the storytellers’ judgement actually indicate some pretty terrible things.

Baron Weirwulf’s Haunted Library is actually part of a Charlton Comics Group series simply named Haunted. I assume Baron Weirwulf is the gentleman pictured in the upper left-hand corner of the cover, but he does not appear in #38. Also, I just want to say now, for a moment I made some odd assumptions about what the star on the cover next to his head meant. I still don’t actuallyknow what the star means here (suggestions are welcome) but I thought it a weird enough idea that it merited mention.

Inside the book are three stories; Sad-Eyed Sara, Last Of Its Kind, and The Most Beautiful Girl In The World. As you may have guessed from my credits listed above, only one of those stories actually has any creators credited. ↓ Read the rest of this entry…

└ Tags: 1978, Charlton Comics, Joe Staton, Nicola Cuti, review
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Just Konked Out

by ScottHicken on August 27, 2013 at 1:33 am
Posted In: 21 - The Desert Ice
 Comment 

First Things First

by ScottHicken on August 22, 2013 at 5:13 am
Posted In: 21 - The Desert Ice
34 Comments

Certain Realities

by ScottHicken on August 20, 2013 at 5:22 am
Posted In: 21 - The Desert Ice
 Comment 

Randomly Reviewed: Who Framed Roger Rabbit – The Official Comics Adaptation

by ScottHicken on August 17, 2013 at 11:00 am
Posted In: Announcements

Who Framed Roger Rabbit – The Official Comics Adaptation

Comic Adaptation by Daan Jippes
Dialog by Don Ferguson
Pencil and Ink by Dan Spiegle and Daan Jippes
Lettering by William Langley
Cover Design by Cindy Kruhm
Published by Marvel Comics
Assistant Editor: Dwayne Mc Duffie
Editor: Bob Budiansky
Editor in Chief: Tom De Falco
dated 1988

The cover to my copy of WHO FRAMED ROGER RABBIT - THE OFFICIAL COMICS ADAPTATION. Copyright 1988 The Walt Disney Company and Amblin Entertainment, Inc.

The cover to my copy of WHO FRAMED ROGER RABBIT – THE OFFICIAL COMICS ADAPTATION. Copyright 1988 The Walt Disney Company and Amblin Entertainment, Inc.

Who Framed Roger Rabbit is my favorite film. Let’s just get that out of the way now. When Amanda found out that it would be playing at the Palace Theatre as part of PlayhouseSquare’s Cinema at the Square, there was no question as to whether or not she should buy tickets. Watching the film at the packed Palace, a space very similar to the theater that Eddie Valiant and Roger Rabbit hide out in during the film itself, was amazing.

Also present at the Palace was local vintage pop culture store Star Pop. I’d been meaning to go check out the store for some time, so after grabbing a flyer I resolved to head over the next chance I got. The following Friday I did, exploring the incredible collection and making a purchase that I think was quite appropriate: Who Framed Roger Rabbit – The Official Comics Adaptation

Published in 1988, “The Official Comics Adaptation” is based on an early draft of the script which, through technical limitations and story pacing, would be transformed into a somewhat different animal presented in the completed film (also released in 1988). While the movie is not without minor technical imperfections, I am still willing to say it may be the most perfect film I have ever seen. I do not bemoan cut sequences, script changes, a complete divergence from the original book (I have read Who Censored Roger Rabbit? and do recommend it as an enjoyable experience if divorced from your preconceptions created by the film), or other material that fell by the wayside which some may clamor to see put back as a “Special Edition” or “Director’s Cut.” I don’t desire to see the Who Framed Roger Rabbit as it could have been – the film is perfect as it is.

That said, those who do want to get a taste of “the film that could have been” had the script not been changed can see into that alternate universe thanks to Who Framed Roger Rabbit – The Official Comics Adaptation. ↓ Read the rest of this entry…

└ Tags: 1988, Amblin Entertainment Inc., Bob Budiansky, Cindy Kruhm, Daan Jippes, Dan Spiegle, Don Ferguson, Dwayne McDuffie, Marvel, review, The Walt Disney Company, Tom DeFalco, William Langley
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